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	<title>O That Sherry &#187; classical music</title>
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		<title>Chasing the Romantic Sublime in Rachmaninoff Piano Concerto No. 2</title>
		<link>http://www.othatsherry.com/chasing-the-romantic-sublime-in-rachmaninoff-piano-concerto-no-2/</link>
		<comments>http://www.othatsherry.com/chasing-the-romantic-sublime-in-rachmaninoff-piano-concerto-no-2/#comments</comments>
		<pubDate>Wed, 06 Jun 2018 06:04:16 +0000</pubDate>
		<dc:creator><![CDATA[Sherry]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Music]]></category>
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		<category><![CDATA[Sherry Reads]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[Boris Giltburg]]></category>
		<category><![CDATA[classical music]]></category>
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		<category><![CDATA[Orange County]]></category>
		<category><![CDATA[pacific symphony]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[piano concerto]]></category>
		<category><![CDATA[romantic period]]></category>
		<category><![CDATA[romantic sublime]]></category>
		<category><![CDATA[Segerstrom]]></category>
		<category><![CDATA[Sergei Rachmaninoff]]></category>

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		<description><![CDATA[The lone voice of the piano unveiled Sergei Rachmaninoff&#8216;s Piano Concerto No. 2, starting with a series of powerful, brooding chords. With each play, a heightened sense of foreboding, and the tension quickly escalated into a breaking point that erupted into scaled musical statement that reverberated throughout the concerto. The passion, whether uttered through powerful arpeggios [&#8230;]]]></description>
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