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	<title>O That Sherry &#187; Books</title>
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		<title>What&#8217;s Really Scary—the Male-Narrated Epilogue of &#8216;The Testaments,&#8217; a déjà vu moment of the original Handmaid</title>
		<link>http://www.othatsherry.com/whats-really-scary-the-male-narrated-epilogue-of-the-testaments-a-deja-vu-moment-of-the-original-handmaid/</link>
		<comments>http://www.othatsherry.com/whats-really-scary-the-male-narrated-epilogue-of-the-testaments-a-deja-vu-moment-of-the-original-handmaid/#comments</comments>
		<pubDate>Fri, 10 Apr 2020 02:41:03 +0000</pubDate>
		<dc:creator><![CDATA[Sherry]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Sherry Reads]]></category>
		<category><![CDATA[Good Read]]></category>
		<category><![CDATA[Margaret Atwood]]></category>
		<category><![CDATA[The Handmaid's Tale]]></category>
		<category><![CDATA[The Testaments]]></category>

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		<description><![CDATA[Reading Margaret Atwood&#8217;s The Testaments takes me back to my high school AP Literature days when I first encountered her 1985 novel The Handmaid&#8217;s Tale. What was frightening then, a dystopian America where women are stripped of their rights and defined by their fertility (or lack of), continues to frame her 2019 sequel. While this [&#8230;]]]></description>
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		<title>To hurt, to break: the heart beats on</title>
		<link>http://www.othatsherry.com/to-hurt-to-break-the-heart-beats-on/</link>
		<comments>http://www.othatsherry.com/to-hurt-to-break-the-heart-beats-on/#comments</comments>
		<pubDate>Sun, 24 May 2015 02:00:52 +0000</pubDate>
		<dc:creator><![CDATA[Sherry]]></dc:creator>
				<category><![CDATA[Because this is life]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Lifestyle/Health]]></category>
		<category><![CDATA[children's book]]></category>
		<category><![CDATA[Elizabeth Bishop]]></category>
		<category><![CDATA[One Art]]></category>
		<category><![CDATA[The Heart and the Bottle]]></category>

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		<description><![CDATA[Feeling unsure, the girl thought the best thing was to put her heart in a safe place. Just for the time being. So she put it in a bottle and hung it around her neck. And that seemed to fix things … at first. The above passage is from The Heart and the Bottle, written and illustrated [&#8230;]]]></description>
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		<title>&#8220;What&#8217;s in a name&#8221; &#8212; Oh boy, don&#8217;t you know?</title>
		<link>http://www.othatsherry.com/whats-in-a-name-literature/</link>
		<comments>http://www.othatsherry.com/whats-in-a-name-literature/#comments</comments>
		<pubDate>Thu, 23 Apr 2015 01:08:24 +0000</pubDate>
		<dc:creator><![CDATA[Sherry]]></dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Did you know]]></category>
		<category><![CDATA[From other journalists]]></category>
		<category><![CDATA[Writing Tool]]></category>
		<category><![CDATA[overstatement]]></category>
		<category><![CDATA[Roy Peter Clark Writing Tools]]></category>
		<category><![CDATA[understatement]]></category>
		<category><![CDATA[what's in a name]]></category>

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		<description><![CDATA[Ask what&#8217;s in a name, and I&#8217;d say plenty. When introducing myself, I&#8217;m either &#8220;It&#8217;s Sherry like the alcohol,&#8221; or &#8220;It&#8217;s Sherry, like the Frank Valli and the Four Seasons song.&#8221; The former usually gets a delayed I-get-it chuckle, and the latter works wonderfully with the slightly more senior folks. And Roy Peter Clark, author of [&#8230;]]]></description>
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