<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>O That Sherry &#187; Art</title>
	<atom:link href="http://www.othatsherry.com/category/sherry-arts/art/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.othatsherry.com</link>
	<description>Read. Travel. Write.</description>
	<lastBuildDate>Mon, 14 Dec 2020 03:54:52 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>https://wordpress.org/?v=4.1.37</generator>
	<item>
		<title>What&#8217;s Really Scary—the Male-Narrated Epilogue of &#8216;The Testaments,&#8217; a déjà vu moment of the original Handmaid</title>
		<link>http://www.othatsherry.com/whats-really-scary-the-male-narrated-epilogue-of-the-testaments-a-deja-vu-moment-of-the-original-handmaid/</link>
		<comments>http://www.othatsherry.com/whats-really-scary-the-male-narrated-epilogue-of-the-testaments-a-deja-vu-moment-of-the-original-handmaid/#comments</comments>
		<pubDate>Fri, 10 Apr 2020 02:41:03 +0000</pubDate>
		<dc:creator><![CDATA[Sherry]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Sherry Reads]]></category>
		<category><![CDATA[Good Read]]></category>
		<category><![CDATA[Margaret Atwood]]></category>
		<category><![CDATA[The Handmaid's Tale]]></category>
		<category><![CDATA[The Testaments]]></category>

		<guid isPermaLink="false">http://www.othatsherry.com/?p=3712</guid>
		<description><![CDATA[Reading Margaret Atwood&#8217;s The Testaments takes me back to my high school AP Literature days when I first encountered her 1985 novel The Handmaid&#8217;s Tale. What was frightening then, a dystopian America where women are stripped of their rights and defined by their fertility (or lack of), continues to frame her 2019 sequel. While this [&#8230;]]]></description>
		<wfw:commentRss>http://www.othatsherry.com/whats-really-scary-the-male-narrated-epilogue-of-the-testaments-a-deja-vu-moment-of-the-original-handmaid/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chasing the Romantic Sublime in Rachmaninoff Piano Concerto No. 2</title>
		<link>http://www.othatsherry.com/chasing-the-romantic-sublime-in-rachmaninoff-piano-concerto-no-2/</link>
		<comments>http://www.othatsherry.com/chasing-the-romantic-sublime-in-rachmaninoff-piano-concerto-no-2/#comments</comments>
		<pubDate>Wed, 06 Jun 2018 06:04:16 +0000</pubDate>
		<dc:creator><![CDATA[Sherry]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Sherry Arts]]></category>
		<category><![CDATA[Sherry Reads]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[Boris Giltburg]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[OC Arts]]></category>
		<category><![CDATA[Orange County]]></category>
		<category><![CDATA[pacific symphony]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[piano concerto]]></category>
		<category><![CDATA[romantic period]]></category>
		<category><![CDATA[romantic sublime]]></category>
		<category><![CDATA[Segerstrom]]></category>
		<category><![CDATA[Sergei Rachmaninoff]]></category>

		<guid isPermaLink="false">http://www.othatsherry.com/?p=3677</guid>
		<description><![CDATA[The lone voice of the piano unveiled Sergei Rachmaninoff&#8216;s Piano Concerto No. 2, starting with a series of powerful, brooding chords. With each play, a heightened sense of foreboding, and the tension quickly escalated into a breaking point that erupted into scaled musical statement that reverberated throughout the concerto. The passion, whether uttered through powerful arpeggios [&#8230;]]]></description>
		<wfw:commentRss>http://www.othatsherry.com/chasing-the-romantic-sublime-in-rachmaninoff-piano-concerto-no-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>On the road, but this time a mother-daughter team in &#8220;Miss You Like Hell&#8221;</title>
		<link>http://www.othatsherry.com/on-the-road-but-this-time-a-mother-daughter-team-in-miss-you-like-hell/</link>
		<comments>http://www.othatsherry.com/on-the-road-but-this-time-a-mother-daughter-team-in-miss-you-like-hell/#comments</comments>
		<pubDate>Wed, 16 Nov 2016 06:32:08 +0000</pubDate>
		<dc:creator><![CDATA[Sherry]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Sherry Arts]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Beatriz]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Daphne Rubin-Vega]]></category>
		<category><![CDATA[daughter]]></category>
		<category><![CDATA[La Jolla Playhouse]]></category>
		<category><![CDATA[Miss you like hell]]></category>
		<category><![CDATA[mother]]></category>
		<category><![CDATA[musical]]></category>
		<category><![CDATA[on the road]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[Road Trip]]></category>

		<guid isPermaLink="false">http://www.othatsherry.com/?p=3550</guid>
		<description><![CDATA[Having read Jack Kerouac&#8217;s 1957 classic On the Road, I am fascinated by the idea of the &#8220;road trip.&#8221;  To just go－despite being &#8220;so lonely, so sad, so tired, so quivering, so broken, so beat&#8221;－represents absolute freedom and complete agency. The advent of automobiles in the 1950s, combined with highway expansion (the Interstate Highway System was created [&#8230;]]]></description>
		<wfw:commentRss>http://www.othatsherry.com/on-the-road-but-this-time-a-mother-daughter-team-in-miss-you-like-hell/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
